Tuesday, 26 November 2013

Design concepts (cont..) + Romanticism in York

Digital Rev has fun with Canon's 8-15mm Fisheye lens

Here are some examples of unusual perpectives which are very fun and addictive. The Fisheye lens can offer 180 degrees of view. With such a wide angle of view and the distorted nature of the lens, you can get the surroundings in view as well as the subject. Tall buildings can look even taller than they are, stretching into the distance to a pin point. But close up, it distorts faces, and objects in a bulbous manner. This is notorious for animal photos exaggerating their noses and heads, whilst their bodies look tiny; making dogs and cats look very cute with their big eyes.

Glimpses


Talking to Warren today, we discussed the idea of mirrors and viewing York differently, as well as a photowalk or tour. He was reminded of some sculptures or something similar in Sheffield city centre. He was not clear exactly on what, but a quick google search revealed what he meant. Warren clearly meant the big chrome spheres outside Sheffield millenium gallery, in the Peace Gardens. A Flickr search on these areas show that people interact with these balls and are intrigued! Its a touchpoint which can help to liven up a space, introduce an activity and also stimulation. A photo by Oliver kershaw shows brilliantly what can be done with such a simple object. A large reflective ball in a particular space can help emphasis a location and make you more aware of your surroundings. People are intrigued by the reflections and take closer looks, takes pictures and also identify the shapes made in the skyline. I could imagine this in areas which are small such as the Shambles, as well as outside York Minster.   
Photos by Digitalrev TV in a different perspective.

These snapshots from a Digitalrev TV video show how a mirror is used in a city to make interesting viewpoints. The presenter (Kai) takes along an assistant (intern) with a large mirror in and around the city streets. There are sometimes very narrow areas where the assistant is able to reflect glimpses of the other buildings. Generally, humans stand upright and their natural, comfortable eyesight prefers to look from the horizon down to the feet. Fifteen to forty-five degrees below the horizontal is most comfortable. Its been an evolutionary trait as most of human's prey are within this angle of view. It no wonder people looking up are always tripping over things, or bumping into people. It's hazardous, and therefore not very common that people spend time looking above the horizontal. They may only use their peripheral vision only.

Romantic York

As KT Landsay says in her blog, “Sheffield is many-faceted it's great to photograph. Working on the theme of 'steel' could take you in so many different directions, from the existing and dilapidated steelworks to steel architectures and art in the city centre to the old millstones ”(KT Landsay 2009). It is what makes Sheffield interesting, since most visitors get a feel for the city and explore by sight. You follow what is intriguing to you. I feel that in York, it is not very multi-faceted. In York, there is a lot of history. It is almost a one dimensional city in this sense; everywhere you go history is everywhere. You are surrounded by the city walls, you walk on the cobbles, and you glance up to see the georgian, victorian, there is a very distinct lack of modernisation. Or you could say there is a overwhelming romancism of York.

I think that for York to become more interesting, a bit of contrast can help. Bringing out a juxtaposition would release the city from being stuck in the past. I remember the Architect from the council, Guy, saying that people are almost blind to stepping forward as a city. They feel any changes are 'Not in keeping with the city'. Guy said he had a concern for York that always looking into the past prevents change at the present time. There is a danger that we become constrained to not doing anything to the city. There is no mark to say “We were here”. We will look back at the time when the georgians were here or the Victorians were here etc. But what do people fifty years from now have to say that we were here? Naturally, the new replaces the old, but there is also a place for the conservation of the past.

I guess that guy feels that anything he wants to do for the city of York, for the better is resisted by many who believe it would destroy the essence of the city.


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